Original paintings, Lisbon

The paintings

Kerry paints in acrylic on canvas, by hand, in Alcântara: abstracts, cities, guitars, flowers and cats. Each one is the only one of itself, and the catalog marks the ones still in the studio.

See all 130 works Only what is available

One · Denver, 2020

It started with the cats.

Kerry’s daughter Joy was diagnosed with a severe illness while Kerry and her husband Paul were out on tour. She came off the road and went home, and for months the two of them talked on a phone screen most days.

Joy’s cats kept walking through the shot. Kerry started painting them, because it gave her a reason to sit still and because they were what was in front of her. That is the whole origin. Every canvas since came out of those.

Two · the RiNo years

Then the cities.

Her parents kept old bridges and skylines on the walls when she was growing up and it soaked in long before she knew it. She painted New York and Tokyo years before she had lived anywhere resembling either.

I loved cities. I loved cities from outer space.

Most of the archive was made in a warehouse in Denver’s RiNo Art District, with Paul teaching guitar in the next room. She started painting the guitars too. When he asked where the first one came from she said she was in a bossa nova mood, and that is roughly how the decisions get made.

Three · Alcântara, now

The horizon goes.

The studio is in Alcântara now, in sight of the 25 de Abril bridge, and the bridge keeps appearing in the work, planned or otherwise.

The newest canvases have dropped the city altogether. Flat planes, a drawn line, and a surface that leaves you to find your own footing. They are also the largest things she has painted, and the two facts are connected.

See the abstracts

In the studio now

Here are the latest available pieces. Call me

The Bridge Eternal, acrylic on canvas
The Bridge Eternal60 × 150 cm
The Look of Lisbon, acrylic on canvas
The Look of Lisbon60 × 120 cm
Static Impulse No.3, acrylic on canvas
Static Impulse No.379 × 130 cm
End of the Line, acrylic on canvas
End of the Line100 × 100 cm
Miraged, acrylic on canvas
Miraged80 × 80 cm
Celestial Grid, acrylic on canvas
Celestial Grid90 × 155 cm

Five subjects

2020 / 26 Abstracts 25 canvases

Flat planes and a drawn line, with the horizon gone. The newest and the largest of everything here.

2020 / 26 Cityscapes 63 canvases

Cities out of memory, and lately one out of the window. The biggest group by a distance.

2020 / 23 Instruments All 14 in collections

Guitars, painted in a Denver basement with a guitar lesson going on through the wall.

2021 / 23 Botanicals All 12 in collections

Flowers at full volume, and she means every bit of it.

2020 / 23 The Kitties All 16 in collections

Where the whole thing began. Sixteen canvases, all of them long gone.

The instruments, the botanicals and the Kitties have sold out. Kerry still paints all three on commission, and that is how most people get one now.

Kerry Pastine in the Alcântara studio

The studio

Alcântara, in sight of the bridge

Kerry sells the paintings herself, direct, which is why prices come by email and why the person who answers is the person who painted it.

Say when you are in Lisbon and she will open the door. You turn up, she makes coffee, and there is paint on the floor, because it is a room where work happens rather than a room where work hangs.

If Lisbon is a long way off, name a canvas or describe the room instead. She sends more photographs, exact measurements, and a mockup of it on your own wall.

Ask about a painting

Three steps, and the first one is a conversation

01 Ask Usually answered same day

Name a canvas or describe the room. Kerry comes back with the price, the shipping to your address, and whether it is still in the studio.

02 Look at it properly Photographs, measurements, mockup

A 150 cm painting deserves better than a thumbnail. Send a photo of the wall with something ordinary in frame for scale, a door or a sofa or a light switch, and she will put the canvas on it at true size before you commit to anything. Every available painting already has a room shot on its catalog page.

03 It ships Europe and the United States

Wrapped, insured and tracked. It arrives ready to hang. Ask about anywhere else and she will price it.

Send her the wall See what is available

Or start with a blank canvas

Just write to her. Kerry wants three things before she stretches a canvas, and once she has them she will give you a timeline and a figure.

Where it hangs and what is already hanging near it. Whether the room gets morning, evening or a lamp, because that changes which colors she starts from. And the size in centimeters or inches, either is fine, but go and measure it rather than guessing.

Talk about a commission

Straight answers

? Why are prices by request? Ask and you get a figure

Because the honest number depends on the size and on where the painting is going. Ask about a specific canvas and the figure comes back the same day.

? Original or print? Originals here, prints on request

Every painting in the catalog is an original, acrylic on canvas, painted by hand, and it goes to one owner. Prints and editions live outside the catalog and vary from image to image. Write to Kerry about a specific painting and she will tell you exactly what exists for it.

? Can I commission one? Yes, and most people do

It is now the only way to get an instrument, a botanical or a Kitties canvas, because those three series have sold out.

? Where do you ship? Europe and the United States

Wrapped, insured and tracked. Anywhere else, ask, and she will find out what it costs.

? Is this Ruth Pastine? Different painter

Ruth Pastine is a painter based in California. Kerry Pastine works in Lisbon, and they are two different people who happen to share a surname.

Collecting

You get a person on the phone.

Name a canvas, or describe the wall and let her suggest one. studio@kerrypastineart.com or +1 720 220 9825.

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